Threshold

The Threshold Series Book 1

by Janet & Chris Morris

Genre: Science Fiction Thriller Adventure

Set a millennium from now on Threshold Terminal—virtually a Grand Hotel in space— a
young test pilot, Joe South, is thrust five hundred years into his future and
finds himself in the thick of interstellar smuggling, intrigue, and the rough
underworld of an alien environment. It is a time of danger and ever-shifting
powers . . . and the destinies of a lost test pilot, an underworld scavenger,
and two young lovers become irrevocably intertwined . . .

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What inspired you, to write Threshold?

Threshold explores what will happen if we meet beings who are interdimensional, not limited by time and space as we know it. Of course, there’s massive suspicion and mistrust when humans meet aliens capable of grasping a much wider time spectrum and able to predict what is about to occur as a result of current circumstance. How can ordinary people trust this super-human race and how can they not once given the benefit of their perspective?

Convince us why you feel Threshold is a must read.

Today our space telescopes are showing us pictures of events that happened millions of light years ago, showing us actual images of the plastic nature of time and space. It is a short conceptual jump from those images to imagining beings like us, but capable of accessing a wider present and acting in concert with events provably happening over vast time arcs. As humans, we may feel that a lifetime is but a moment in an eternal reality and guess what it could be like to be free of the clock-time that rules our earthly progress. In Threshold, we get to play on the greatest chess board available to our fledgling perception of our own possible futures.

We’ve gone to lengths to make this book available in e-book, trade paper, hardback, and soon in audiobooks.

Who designed your book covers?

Most of our covers, including Threshold, are realized by Roy Mauritsen, a gifted graphic artist.

Advice to writers?

As for advice to writers, here is all we know: write the story you want to read. Start at the beginning, go to the end, and stop. Seriously. From start to finish you must inhabit the construct in a manner that makes the reader choose to continue; if we as writers can’t feel what it’s like being there, our readers can’t either. Close your eyes, look at your feet where they are standing on the story’s ground; tell us what you see. Tell us what you hear. Ask at the end of each paragraph ‘what happens next?’. If you lose touch with it wait until you’re back inside it. Tell the story that comes to you, and from you, to us.